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"Democratic precepts revolving around the idea that a work of art is a commodity impelled the aesthetic innovation which germinated in themid-1960s and was reaped throughout the 1970s.Artists broadly identified under the heading of Conceptual art .One of the prime original motivators ofmuch of the art of the late 1960s and 1970s was to create art that could not be bought and sold.
Next, you might examine how the materials in each artworkhave become an arrangement of shapes, colors, textures, and lines.
These, in turn, are organized into various patterns and compositional structures.
Wimsatt and Monroe Beardsley published a classic and controversial New Critical essay entitled "The Intentional Fallacy", in whichthey argued strongly against the relevance of an author's intention, or "intended meaning" in the analysis of a literary work. As you all know, I’m in full recovery and my day-to-day is pretty great.
For Wimsatt and Beardsley, the words on the page were all that mattered; importation of meanings from outside the text was considered irrelevant, and potentiallydistracting. However, my Bipolar 1chat.|) There have been attempts by artists to create art that can not be bought by the wealthy as a status object.
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